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  • A man woos a woman in a garden; representing the sanguine temperament. Engraving by R. Sadeler after M. de Vos.
  • Epistola physiologica inauguralis de elementariis musicae sensationibus / [Louis Odier].
  • A Japanese woman taking a dog for a walk compared with an effeminate samurai. Watercolour, 18--.
  • Many people are riding on and crowding around a large horse-drawn carriage. Wood engraving by M. Jackson, 1862, after A. Hunt.
  • Epistola physiologica inauguralis de elementariis musicae sensationibus / [Louis Odier].
  • A man woos a woman in a garden; representing the sanguine temperament. Engraving by after M. de Vos.
  • Epistola physiologica inauguralis de elementariis musicae sensationibus / [Louis Odier].
  • Satyrs grouped around a statue, displaying the attributes of greed and venality. Etching by J. Audran after C. Gillot.
  • Human skull: frontal view. Lithograph, c. 1835.
  • A male figure and three phrenological heads. Wood engraving.
  • A head containing over thirty images symbolising the phrenological faculties. Wood engraving, c. 1845, after O.S. Fowler (?).
  • A man writing; representing the faculty of memory. Engraving, 16--.
  • An anxious man comparing his own head to a skull, using the technique of phrenology. Coloured lithograph after T. Lane, c. 1825.
  • A patient anonymised by hospital life. Colour giclée print by Emily Brown, 2004.
  • A woman holds the sun in her hand; representing the faculty of understanding. Engraving, 16--.
  • A head marked with images representing the phrenological faculties, with a key below. Coloured wood engraving, ca. 1845, after H. Bushea and O.S. Fowler (?).
  • Six scenes narrating the fate of a cork leg, the invention of a Dutch artist. Etching by Joe Lisle.
  • A defeated hussar on the battlefield, whose horse has been killed while pulling a gun mounted on a chassis; a woman sympathizes. Mezzotint by V. Green after G. Carter, 1776.
  • A head marked with images representing the phrenological faculties, with a key below. Coloured wood engraving, ca. 1845, after H. Bushea and O.S. Fowler (?).
  • A patient anonymised by hospital life. Colour giclée print by Emily Brown, 2004.
  • An anxious man comparing his own head to a skull, using the technique of phrenology. Coloured lithograph after T. Lane, c. 1825.
  • Tell me what you want what you really really want / GMFA ; photograph by Louisa Parry.
  • Tell me what you want what you really really want / GMFA ; photograph by Louisa Parry.
  • A man writing; representing the faculty of memory. Engraving, 16--.
  • A woman with a globe containing a face; representing the faculty of the will. Engraving, 16--.
  • The dream of a patient in Jungian analysis: a steeply descending road, with telegraph poles on the left, a wall and fields on the right, huge mountainous waves in the distance. Drawing by M.A.C.T., 1978.
  • The dream of a patient in Jungian analysis: a tunnel, into which water cascades from the top into a swirling pool; small people look down from the top. Drawing by M.A.C.T., 197-.
  • The dream of a patient in Jungian analysis: logs rolling along a stream through a tunnel, a person stepping from one log to another. Drawing by M.A.C.T., 197-.
  • The dream of a patient in Jungian analysis: a path through trees, on which three cyclists ride. Drawing by M.A.C.T., 197-.
  • The dream of a patient in Jungian analysis: a view through a window towards fields, hills and woods, with the hands of a writer in the foreground. Drawing by M.A.C.T., 1977.